As suggested by the following excerpt from David Freedberg's book The Power of Images: Studies in the History and Theory of Response (Chicago, 1989), there has been a wide range of critical (and not so critical) responses to the Venus of Urbino: /p. 1 Goffen remarked that, “While she is seemingly indifferent to her ‘scopic encounter’ with the beholder, Francesco Maria suggests his absorption in the ‘consciousness of being beheld’ as a commemoration of his ‘ideal persona.’” 2 This portrait signifies a woman’s role as the subordinate to … Portrait of Empress Eleonore Gonzaga Oil on canvas (relined). Access more artwork lots and estimated & realized auction prices on MutualArt. Eleonora Gonzaga (n. 23 septembrie 1598, Mantova, Lombardia, Ducatul de Mantova ⁠(d) – d. 27 iunie 1655, Viena, Imperiul Habsburgic) a fost a doua soție a lui Ferdinand al II-lea, Împărat Roman, Arhiducesă de Austria, regină a Germaniei, regină a Ungariei și Boemiei Titian (1490–1576) Alternative names. Tiziano Vecelli; Tiziano Vecellio. Track updates on Arthive. Arrange your visit in Florence, find prices and opening hours of the museum. The narroator's emotions on the death of Eleonora are reflected onto the beautiful valley in which they lived. Artwork analysis, large resolution images, user comments, interesting facts and much more. The theory is helped along by a vague (very vague) resemblance between the women in the two pictures. Order Oil Painting. Genre: portrait. Style: High Renaissance. This work was probably painted by Titian in the winter of 1536-1537, when the duchess was staying in Venice. Eleonora was widowed in 1538 when Francesco died suddenly while on campaign, possibly from poison. Her pet dog lies bored on a table in front of a window. Behind him a splendid, plumed parade helmet, reflecting the vibrant, pulsating red of a velvet drape, faces a jauntily angled set of lances. Access more artwork lots and estimated & realized auction prices on MutualArt. Eleonora Gonzaga, was born Princess of Mantua as a member of the House of Gonzaga and by marriage Holy Roman Empress, German Queen, Queen consort of Hungary and Bohemia. COVID-19 Emergency | Closing of Uffizi Galleries, Titian (Pieve di Cadore 1488/90 – Venezia 1576). we’re on social media and instant messengers, Mobile apps for galleries, museums and exhibition projects. The dog symbolizes that Eleonora is faithful to her husband and the clock represents her steady temperance. Eleonora Gonzaga of Mantua. As Empress, Eleanora was a … A member of the ducal family of Mantua, Eleonore Gonzaga became the third wife of Emperor Ferdinand III in 1651. Aretino in a letter to the poetess Veronica Gambar from November 7, 1537, gives the text of her sonnet dedicated to this portrait. Her pet dog lies bored on a table in front of a window. View Portrait of Eleonora Gonzaga, Duchess of Urbino After ; Oil on canvas; 39 x 29 cm; . ELEONORA Gonzaga, duchessa di Urbino. Nicknamed the Elder to distinguish herself from her namesake great-niece, during her reign the Imperial court in Vienna became one of the centers of European Baroque music. Description. Indeed, her health began to fail rapidly after Francesco's death. Juni 1655 in Wien) war die jüngste Tochter von Vincenzo I. Gonzaga, Herzog von Mantua und Montferrat und Eleonore de Medici, Prinzessin der Toskana. Painted as a companion, and although not conceived to be a comparison - strictly in terms of composition - it is deeply complementary, since one depicts a prototype of the valorous man of arms and the other is the perfect example of the faithful bride (the dog is in fact a symbol of marital fidelity), an embodiment of womanly virtue. Nicknamed the Younger to distinguish herself from her namesake grandaunt, she was considered one of the most educated and virtuous women of her time. Eleonora Maddalena Gonzaga (Mantua, 18 november 1630 — Wenen, 6 december 1686) was prinses van Mantua. In her love of opposites, Eleonora was an almost archetypical embodiment of the Baroque age. In November of 1537, before the ducal diptych was delivered to the patrons, famous polygraph, Pietro Aretino celebrated Titian’s talents as a portrait artist in two famous sonnets, describing the painter’s wonderful ability to immortalise inner qualities, the moral attributes of the subjects of his paintings, demonstrating that he could even surpass the expressiveness of poetry. However, it is doubtful whether Titian painted the "Venus of Urbino" from a young Varano. ); . * 1630, † 1686. This work was probably painted by Titian in the winter of 1536-1537, when the duchess was staying in Venice. Eleonora’s bodily comportment is a far remove from her husband’s thrusting fist that intrudes upon the audience’s space. Eleonora Gonzaga, the wife of Francesco Maria della Rovere, came from the genus of the Mantua Marquis of Gonzaga, was the daughter of Francesco II Gonzaga and his wife Isabella d’Este, one of the most educated women of this time. Cattolicesimo. It precedes - albeit by just a few months - the portrait of her husband, Francesco Maria I della Rovere, Duke of Urbino. One Direction Poe uses symbolism in most, if not all, of his works. Eleonora’s elaborate black and gold gown, as well as the multitude of jewels that she wears, are all meant to symbolize the power and prestige of the della Rovere family. Et voila! September 1598 in Mantua; 27. Her pet dog lies bored on a table in front of a window. It may appear later. Titian's landscape is expansive but untraversible, marked by a church tower in its idealized blue distance. While he is active, she is passive, her containment within the domestic sphere affirmed by the window to her right. Date: 1538. The portrait is a ¾ length depiction and the figure is in the ¾ pose, with her gaze towards the viewer. While he stands erect and linear, she sits, swathed in copious folds of costly fabric that suggest the rounded forms of her body. Titian. Elisabetta Gonzaga, wife of Duke of Urbino, Guidubaldo da Montefeltro, was one of the most important figures in the cultural life of her time. Symbols and allegories in "Venus of Urbino" Al fonte le fu imposto il nome di Eleonora Violante Maria in omaggio alla nonna materna, Eleonora d'Aragona, morta due mesi prima. Tiziano made this Eleonora Gonzaga’s portrait back in 1537. The small dog and the costly clock that rests upon the table beside her remind us of her loyalty and patience in reservedly awaiting her husband … 16 April, 2015. Eleonora (I) Gonzaga ( Mantova, 23 settembre 1598 – Vienna, 27 giugno 1655) è stata una principessa italiana per nascita, imperatrice del Sacro Romano Impero, arciduchessa d'Austria, regina d'Ungheria e Boemia, come moglie di Ferdinando II . Find out more about what data we collect and use at, Quick search helps finding an artist, picture, user or article and prompts your previous searches, Login to use Arthive functionality to the maximum, Register to use Arthive functionality to the maximum, This action is only available to registered users. Moreover, both paintings contained the same curled-up lapdog. Eleonora Gonzaga Della Rovere (Mantova, 31 dicembre 1493 – Urbino, 13 febbraio 1550) era figlia di Francesco II Gonzaga, marchese di Mantova e di Isabella d'Este, figlia di Ercole I d'Este duca di Ferrara. Eleonora Gonzaga (Titian - Uffizi Gallery) Titian: Portrait of Eleonora Gonzaga. Portrait of Francesco Maria della Rovere, Duke of Urbino 1536-38 Oil on canvas, 114 x 103 cm ... Eleonora Gonzaga sits primly in her chair, immobile within her highly detailed but much less lovingly depicted court dress. The mood in the portrait is subdued and almost relaxed. She was highly educated, pious and interested in art. In marked contrast, Eleonora Gonzaga sits primly in her chair, immobile within her highly detailed but much less lovingly depicted court dress. La Bella, a portrait of her by Titian painted about this time, shows a regal but pale and sickly middle-aged woman. Her only surviving son Guidobaldo inherited the duchy. Date of birth/death. 133 x 98.5 cm. View portrait of Eleonora Gonzaga, Holy Roman Empress (1598-1655), standing full-length, wearing a black embroidered dress with white lace cuffs and collar and pearl jewellery, together with a dog After Justus Sustermans; oil on canvas; 186.3 by 98.5 cm. Arthive is a community of artists, collectors and art dealers. Prinzessin Eleonora Gonzaga (* 23. ELEONORA Gonzaga, imperatrice. We make it easy to collect and publish everything about art, manage collections, and buy, sell and promote artworks. Eleonora Gonzaga, the youngest daughter of Duke Vincenzo Gonzaga I of Mantua and his wife Eleonore de' Medici, was born in … Portrait of Eleonora Gonzaga. Eleonora Gonzaga, was by birth Princess of Mantua, Nevers and Rethel from the Nevers branch of the House of Gonzaga and by marriage Holy Roman Empress, German Queen, Queen consort of Hungary and Bohemia. Artist. Ze was een dochter van hertog Carlo II Gonzaga van Nevers en Rethel en diens vrouw Maria Gonzaga Familie. (note: 187 by 97.5 cm. Portrait Of Eleonora Gonzaga is one of artworks by Titian Vecelli. Compari al battesimo furono Paolo Barbo per conto della Serenissima, Ludovico da Fogliano per conto di Ludovico Sforza e … Italian painter, fresco painter and draughtsman. 1598. There is speculation that his model was the mother of Guidobaldo, Duchess Eleonora Gonzaga: her portrait by Titian dates back to 1538, the same year as the "Venus of Urbino", and some resemblance is really there. Media: oil, canvas. Fascinated by religious poetry, … She united extreme religiosity with a love of magnificence, devoting herself in mystic ecstasy to penitential exercises, yet patronizing courtly entertainments with the same degree of passion. A rumour during the nineteenth century maintained that the painting showed Guidobaldo's mother, Eleonora Gonzaga, for it was difficult to ignore a certain resemblance between her portrait from Titian's hand and the "naked woman". "but a second change had come upon all things. It precedes - albeit by just a few months - the portrait of her husband, Francesco Maria I della Rovere, Duke of Urbino. Eleonora Gonzaga, Holy Roman Empress (So-called portrait of Margarete of Austria).png 1,099 × 1,126; 1.93 MB Eleonora Gonzaga (Justus Sustermans).jpg 700 × 1,000; 244 KB Sustermans Eleonora Gonzaga.jpg 564 × 999; 146 KB Dimensions: 114 x 102.2 cm. 1493, primogenita del marchese Francesco e di Isabella d'Este. In marked contrast, Eleonora Gonzaga sits primly in her chair, immobile within her highly detailed but much less lovingly depicted court dress. The model for the Venus of Urbino is revealed as Eleonora Gonzaga Duchess of Urbino, widow of Francesco Maria della Rovere Duke of Urbino, the Supreme Commander of … There is still no description of this artwork. His wife, the Duchess Eleonora Gonzaga, makes the perfect, demure counterpoint to her virile husband. - Eleonora Anna Maria, figlia di Vincenzo Gonzaga duca di Mantova e Eleonora de' Medici, nacque a Mantova il 23 sett. The star-shaped flowers shrank into the stems of the Location: Uffizi Gallery, Florence, Italy. 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