Media: oil, canvas. 80% off a Hand Made Oil Painting Reproduction of Charles I on horseback, one of the most famous paintings by Sir Anthony Van Dyck. A man sits on a muscular horse, towering above a servant who passes him a helmet to complete his suit of armour. “Equestrian Portrait of Charles I” by Anthony van Dyck “Equestrian Portrait of Charles I” by Anthony van Dyck glorifies Charles I on horseback after he becomes King of England, Scotland, and Ireland in 1625. Van Dyck’s painting shows Charles I wearing the medallion of a Garter Sovereign, riding as if at the head of his knights. Thanks to the Getty Foundation’s Conserving Canvas initiative, we've had help from a team of exper... Paul was joined in London by fellow professionals: Gerrit Albertson (Metropolitan Museum, New York), Francesca Bettini (Opificio delle Pietre Dure, Florence), Luigi Orata (opificio delle Pietre Dure, Florence), Camille Polkownik (Royal Collection, London), Lisette Vos (Rijksmuseum, Amsterdam), Eva Martinez (Museo del Prado, Madrid) and Lucia Martinez (Museo del Prado, Madrid) who spent periods in London between January and May 2019. Artist. National Gallery, London This likeness of the king on horseback takes as its point of departure the archetypal image on the obverse of all the Great Seals of England: the sovereign as warrior. Date: c. 1635. King Charles is wearing Greenwich-made armour and holding a commander's baton. Charles I had become King of Great Britain and Ireland in 1625 on the death of his father James I, and Van Dyck became the Charles' Principal Painter in Ordinary in 1632. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures. Free certificate of authenticity free shipping. Charles I on horseback. This will make us all better conservators in the long run.’, Sharing knowledge with international colleagues, Image: Returning the painting to its stretcher, From peeks behind the scenes to in-depth looks at the nation's favourite paintings, Watch how it took a small army of people to clean, repair and restore one of our largest paintings, Van Dyck's 'Equestrian Portrait of Charles I', One of the most complex structural conservation projects in the history of the Gallery: Giovanni Martini da Udine’s ‘The Virgin and Child with Saints’, Learn about the restoration of one of our highlight paintings, by Artemisia Gentileschi, Relining Van Dyck's Equestrian Portrait of Charles I, the Getty Foundation's Conserving Canvas Initiative, Anthony van Dyck, 'Equestrian Portrait of Charles I', about 1637-8, Getty Project: Relining Van Dyck's Equestrian Portrait of Charles 1. It’s a global ad campaign, Gerhard Emmoser, Celestial globe with clockwork, Portraits of Elizabeth I: Fashioning the Virgin Queen, The conservator’s eye: a stained glass Adoration of the Magi, The Gallery of Francis I at Fontainebleau (and French Mannerism), Follower of Bernard Palissy, rustic platter, Introduction to the Protestant Reformation (part 1 of 4): Setting the stage, Introduction to the Protestant Reformation (part 2 of 4): Martin Luther, Introduction to the Protestant Reformation (part 3 of 4): Varieties of Protestantism, Introduction to the Protestant Reformation (part 4 of 4): The Counter-Reformation, Iconoclasm in the Netherlands in the Sixteenth Century, Fifteenth-century Spanish painting, an introduction, Tomb of Juan II of Castile and Isabel of Portugal, Treasure from Spain, lusterware as luxury, Apostle or Saint, bringing the figure to life, Sacred geometry in a mudéjar-style ceiling, Francis Bacon and the Scientific Revolution, Restoring ancient sculpture in Baroque Rome, Francesco Borromini, San Carlo alle Quattro Fontane, Rome, Caravaggio and Caravaggisti in 17th-century Europe, A Still Life of Global Dimensions: Antonio de Pereda’s. . 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