On the left is Cardinal Luigi de' … Portrait of Pope Leo X with two Cardinals (c.1518) There is a saying that “Art follows Money”. We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free. claimed that the portrait of Leo X attempted to combine "the monumental-ity and grandeur of a papal state portrait with the human intimacy the devotional context required.115 Although its subject matter is a group of three ecclesiastics, James H. Beck 0 974) saw the painting as primarily secular and He made Rome a cultural centre and a political power, but he depleted the papal treasury, and, by failing to take the developing Reformation seriously, he contributed to the dissolution of the Western church. 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In contrast to works depicting classical, idealised Madonnas and figures from antiquity, this portrait shows the sitter in a realistic manner. . Papal Portrait A highly subtle piece of High Renaissance painting, this group portrait is designed around the dominant central figure of Leo X. In contrast to works depicting classical, idealised Madonnas and figures from antiquity, this portrait shows the sitter in a … Leo X. Leo X (born Henry Beaufort; c.1375 – 17 March 1441) was Pope from 1430 until his death in 1441. The Portrait of Pope Leo X with two Cardinals is a painting by the Italian High Renaissance master Raphael, circa 1518-1519.It is housed in the Uffizi Gallery of Florence.. The pommel on top of the Pope's chair evokes the symbolic abacus balls of the Medici family, while the illuminated Bible open on the table has been identified as the Hamilton Bible. Copyist René Duchemin, French, 1768 - 1859. Pope Leo X , circa 1520. Portrait of Pope Leo X Portrait de Léon X. Etienne Frédéric Lignon, French, 1779 - 1833. Detail, Raphael, Portrait of Pope Leo X with Cardinals Giulio de’Medici and Luigi de’Rossi, c. 1518 (Uffizi Gallery, Florence) Most convincing is the suggestion that the portrait was made for religious purposes. The painting sets up a series of visual contradictions between appearance and reality, intended by Raphael to reflect the unrest of a period of turmoil for the papacy. The Portrait of Pope Leo X with two Cardinals is a painting by the Italian High Renaissance master Raphael, circa 1517. The manuscript Letter to Leo X written by Raphael with his friend Baldassarre Castiglione and preserved in the Mantua state archive is displayed at the center of a room featuring the Uffizi Portrait of Leo X, the loan of which was so controversial that the Uffizi’s advisory team quit. Circa 1510, Pope Leo X wearing a tonsure. Giovanni de’ Medici was elected Pope in 1513 under the name of Leo X. Portrait of Pope Leo X The Italian painter, Raphael, was famed for creating images of the Madonna, saints and heavenly figures but between the years 1518 to 1519, people were surprised with how he depicted Pope Leo X. The Pope is depicted with the weight of late middle age, while his sight appears to be strained. The oil painting shows the pope seated on a chair while having just read a manuscript, and accompanied by two cardinals. Bernard van Orley and Pieter de Pannemaker, Boxwood pendant miniature in wood and feathers, This isn’t just an engraving of Adam and Eve from 1504. The pommel atop the Pope’s chair evokes the balls of the Medici coat of arms. An interconnected world is not as recent as we think. His papacy is remembered for the great successes made in crusading across Europe, as well as the reconciliation of the Roman Catholic Church and the Roman Orthodox Church in 1434.. 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