A Rake's Progress, David Hockney. Shop. The David Hockney Foundation: Return to home. Hockney’s first visit to the United States, in the summer of 1961, provided the narrative for this semiautobiographical series. A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. Hockney’s ‘A Rake’s Progress’ features a series of sixteen small etchings, structured in a chronological sequence to portray his autobiographical journey through early 1960’s New York. I remember visiting him at this time in his London studio. Unless otherwise noted, all artwork © David Hockney. From Phillips, David Hockney, A Rake's Progress: 14 plates (1963), Fourteen etchings with sugar-lift aquatint in black and red, on Crisbrook Royal Hotpress… As with Hockney’s 1961-63 etchings, A Rake’s Progress, William Hogarth’s series of prints, A Rake’s Progress, was the inspiration for the three-act avant-garde opera by Igor Stravinsky with absurdist libretto by W. H. Auden and Chester Kallman. The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735. The Rake’s Progress ist Strawinskys letztes Werk im neoklassizistischen Stil. Learn more about the piece and artist, and its final selling price. Gleichzeitig ist es sein umfangreichstes und einziges abendfüllendes Bühnenwerk. Although Hockney claimed that “It is not really me. An exclusive new range featuring David Hockney’s iconic designs for The Rake’s Progress is available now from our online shop. View A Rake's Progress: 14 plates by David Hockney sold at Evening & Day Editions on London Auction 19 January 2017. Hockney, one of the most significant artists of our generation, has long engaged with the paintings and engravings of 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735. A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. They exist in your mind, even though they are not in front of you. This video is unavailable. The trip to New York was a catalyst to … Unless otherwise attributed, all quotes are by David Hockney. Stage Design for The Rake's Progress : Works | David Hockney. Unless otherwise noted, all artwork © David Hockney. An exhibition demonstrating the use of the same theme by two artists more tan two centuries apart, Hogarth’s eight engravings were published in 1734 and have enjoyed wide success at the time and since, inspiring other treatments including the Auden/Stravinsky opera whose production at Glynebourne was set by David Hockney. David Hockney: A Rake’s Progress offers a rare glimpse into the artistic dialogue between Hockney and Hogarth as seen through his prints and his designs for the opera, generously lent by the David Hockney Foundation. The format, story and numbering system is based on William Hogarth’s 1735 suite of prints of the same title. John Cox’s production is one of the great Glyndebourne classics, featuring David Hockney’s much-loved designs alongside an exciting cast including Topi Lehtipuu, Matthew Rose and Miah Persson. With a career stretching from the early 1960s to the present, David Hockney is perhaps best known for his bright, cheerful works depicting pools and other everyday scenes from his life in southern California. David Hockney : the biography, 1937-1975 : a rake's progress. After graduating, Hockney visited Los Angeles and was inspired to paint suburban swimming pools, which he did using acrylic paint, rather than oil, for the first time. Als Vorbild dienten Strawinsky Werke des 18. David Hockney. “The Arrival” From A Rake’s Progress, 1961-63 - Etching Edition of 50, 15 1/2 x 22 1/2in. Go to 1963 Die Perspektive ändert sich, je nach… [Christopher Simon Sykes; David Hockney] -- An authorized account of the life and work of the influential British artist covers his education at the Royal College of Art, the role of the 1960s in … The David Hockney Foundation: Return to home. A Rake’s Progress Etchings : Graphics : Works | David Hockney. Website © The David Hockney Foundation. He supplemented the images and storytelling with his memories of his first trip to New York. The artist's initial trip to New York, in 1961, inspired his first major group of etchings, A Rake's Progress, which reinterprets the famous cycle of eighteenth-century engravings by William Hogarth. Hockney designed sets and costumes for the Glyndebourne Festival Opera's production of The Rake’s Progress. The Royal College of Art, on seeing the first 8 etchings, proposed that Hockney … A Rake’s Progress, 1961–63 | David Hockney: Drawing from Life | The Morgan Library & Museum Online Exhibitions For two years, Hockney worked on the sixteen etchings, A Rake's Progress, inspired by the identically named series of prints by William Hogarth (British, 1697–1764). A Rake’s Progress is a semi-autobiographical story about Hockney, the ‘rake’, and the down and outs of his life in New York in the early 1960’s. Apr 18, 2015 – Aug 2, 2015 . Suite originally housed in a black cloth slip-case lettered on spine in gold ‘A RAKE’S PROGRESS DAVID HOCKNEY’ along with ‘ea’ (logo). For two years, Hockney worked on the sixteen etchings, A Rake's Progress, inspired by the identically named series of prints by William Hogarth (British, 1697–1764). The format, story and numbering system is based on William Hogarth’s 1735 suite of prints of the same title. As with Hockney’s 1961-63 etchings, A Rake’s Progress, William Hogarth’s series of prints, A Rake’s Progress, was the inspiration for the three-act avant-garde opera by Igor Stravinsky with absurdist libretto by W. H. Auden and Chester Kallman. Im Zentrum der Ausstellung stehen die beiden Radierfolgen A Rake’s Progress von 1961-63 und Fourteen Poems by C.P. Inside a red cloth portolio. David Hockney: A Rake's Progress, by Christopher Simon Sykes. Created by Halcyon Days, exclusively for Glyndebourne, a collection of luxury, English-made creations celebrating original David Hockney designs from the 1975 Glyndebourne production of ‘The Rake’s Progress’. Watch Queue Queue. Jahrhunderts, insbesondere von Mozart, deren Stil jedoch stetig durch winzige Eingriffe … Unless otherwise attributed, all quotes are by David Hockney. Every purchase supports our work. Mit dem insgesamt 16 Radierungen umfassenden Zyklus A Rake’s Progress („Weg des Liederlichen“) bezieht Hockney sich auf die Gemälde (London, Sir John Soane Museum) und die gleichnamige Radierfolge von William Hogarth (1697-1764) aus dem Jahr 1735. Slip-case is unnumbered and is stored elsewhere, currently (2011) at the back of '1st Mezz' in the National Art Library. Hockney tried to combine these discoveries with a replenished naturalism in the portraits of his parents that he produced in the mid-1970s. Watch Queue Queue David Hockney The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress 1961–62, published 1963 David Hockney The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress 1961–62, published 1963 Hockney sagte 2016 in einem Interview mit der britischen Zeitung The Guardian: “Das Auge bewegt sich immer; wenn es sich nicht mehr bewegt, bist du tot. Inspired by William Hogarth’s 1735 engraving series of the same title, Hockney transformed the tale of an aristocrat who squanders his wealth into his own personal story of a young gay man’s journey and emerging identity in 1960s New York City. Originally from West Yorkshire, England, Hockney studied at the Royal College of Art in London before spending decades on both sides of the Atlantic. Get this from a library! 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